My Fender Japan Collection: MIJ & CIJ Bass Archive
My Fender Japan obsession: Why these basses own my vault I’ll be honest, more than half my collection is Japanese quality Fenders. There’s something about these instruments that just hits different. Whether it’s the Fujigen-era MIJ precision or the Dyna Gakki CIJ craftsmanship, these basses punch way above their weight. This is my personal archive of Aerodynes, Jazz Basses, Precision Basses, and signature models that prove Japanese Fenders are some of the best Fenders, period.
MIJ vs. CIJ: What’s the real difference?
If you’ve spent any time hunting for Japanese Fenders, you’ve likely seen both “Made in Japan” (MIJ) and “Crafted in Japan” (CIJ) decals. While some gear forums will argue one is superior to the other, the truth is mostly found in the history of the factories.
Made in Japan (1982–1996) These instruments were primarily built by the legendary FujiGen Gakki factory. This era includes the highly coveted “JV” and “E-Series” basses, known for a build quality that famously rivaled Fender’s American production at the time.
Crafted in Japan (1997–2007) When Fender’s contract with FujiGen ended, production moved to the Dyna Gakki and Tokai factories. The label was changed to “Crafted in Japan” to signify this new era. These basses often featured more diverse “JDM” (Japanese Domestic Market) specs and unique finishes you couldn’t find anywhere else.
The Return of MIJ (2007–Present) Around 2007, Fender transitioned back to the “Made in Japan” decal, even though production remained at the Dyna Gakki facility.
Don’t let the label fool you. Whether it’s MIJ or CIJ, these basses are all built to an incredible standard of precision. While MIJ instruments carry more “vintage” prestige, many CIJ models offer better hardware and more historically accurate wood choices like Alder.
It’s all about the passion!
Made and meant to be shared, an absolute must-see!
Unleashed creative showcasing with basses in unexpected locations.
Henrik Bonde Hanfgarn Bass player, passionate keeper of the bass vault and bass escapade extraordinaire.
Gear I love to use: TC Electronic Blacksmith, Fender Bassman ’67 (AB165), Ampeg bass cabs and the Line6 HX Stomp when it calls for quick and compact solutions.
